當黃浦江的夜色

漫過原世博會·盧森堡館的鋼鐵骨架

這座曾詮釋“亦小亦美”哲學的建築

在2025年設計上海之夜

被賦予新的命題

6月5日，TASSANI塔薩尼藝術塗料與費羅娜水泥瓷磚在上海世博會·盧森堡館（江南曉宴）共啟《未完成的藝術》設計師晚宴，與百餘位設計先鋒共赴一場關於材料、空間與永恒創造的對話。

On June 5th, TASSANI Tassani Art Coatings and Ferrona Cement Tiles jointly hosted the "Unfinished Art" designer dinner at the Luxembourg Pavilion (Jiangnan Xiaoyan) of the Shanghai World Expo, attending a dialogue with over a hundred design pioneers on materials, space, and eternal creation.

TASSANI塔薩尼的未完成美學

意大利TASSANI塔薩尼大中華區執行總裁劉芳女士，以設計上海的“色域覺醒”展覽主題引出發言，“當塔薩尼的塗料離開意大利工廠時，它的故事才剛開篇。”正如這次設計上海之行，塔薩尼攜手設計師徐慶良和楊銘斌及四大家居品牌，又拉開了另一段藝術之旅，前行道路沒有終點，能與在場各位設計師共赴“未完成的藝術”是品牌榮幸。

Ms. Liu Fang, Executive President of TASSANI Greater China, introduced her speech with the theme of the "Color Space Awakening" exhibition in Shanghai. "When Tassani's paint left the Italian factory, its story was just beginning." Just like this design trip to Shanghai, Tassani, together with designers Xu Qingliang and Yang Mingbin, and four major home furnishing brands, embarked on another artistic journey. The road ahead has no end, and it is an honor for the brand to go to "unfinished art" with all the designers present.

國產瓷磚的裏程碑時刻

晚宴中，費羅娜水泥瓷磚創始人陳高照先生表示，費羅娜成為設計上海首個亮相的國產瓷磚品類品牌，這一突破性身份，恰是品牌對“未完成使命”的詮釋：當國際瓷磚巨頭長期主導高端設計領域，費羅娜以“水泥瓷磚”這一革命性品類撕開裂縫，讓中國原創設計力量站上世界級舞台。

At the dinner, Mr. Chen Gaozhao, founder of Ferrona Cement Ceramic Tile, stated that Ferrona has become the first domestic ceramic tile brand to debut in Shanghai's design industry. This breakthrough identity is precisely the brand's interpretation of its "unfinished mission": when international ceramic tile giants have long dominated the high-end design field, Ferrona has torn open the cracks with the revolutionary category of "cement ceramic tiles", allowing China's original design power to stand on the world-class stage.

浮島棲所裏的新DNA

作為晚宴的重要篇章，由瑞坤國際-正方良行徐慶良、楊銘斌操刀的設計上海展位「浮島棲所」成為焦點。以“浮島”為設計概念，將五個泛家居品牌化作漂浮的敘事單元，用空間蒙太奇手法解構傳統展陳邏輯。展覽最終呈現的不僅是產品陳列，而是五個品牌的共鳴頻率，及定義新生活方式DNA。

As an important chapter of the banquet, the design of the Shanghai booth "Floating Island Habitat" by Ruikun International - Zhengfang Liangxing Xu Qingliang and Yang Mingbin has become the focus. Using the design concept of "floating island", five pan home furnishing brands are transformed into floating narrative units, and traditional exhibition logic is deconstructed through spatial montage techniques. The exhibition ultimately presents not only product displays, but also the resonance frequency of the five brands and the DNA that defines a new lifestyle.

而今年繁星計劃3.0，也同樣有徐慶良的加入，連續3年的關愛特殊群體的公益項目，不僅有愛心企業和設計師，更有藝術家的加持，讓繁星計劃的的公益路能夠越走越遠。這也同樣是徐慶良先生的“未完成的藝術”之一。

And this year's Starry Sky Plan 3.0 also has Xu Qingliang joining, a public welfare project that has been caring for special groups for three consecutive years. It not only has caring enterprises and designers, but also the support of artists, allowing the Starry Sky Plan's public welfare path to go further and further. This is also one of Mr. Xu Qingliang's "unfinished arts".

永不竣工的藝術使命

祝酒儀式上，陳高照先生、劉芳女士、設計師徐慶良和楊銘斌先生共同舉杯的瞬間，恰是品牌新征程的隱喻：敬未完成的理想，敬永不落幕的創造。

At the toast ceremony, the moment when Mr. Chen Gaozhao, Ms. Liu Fang, designer Xu Qingliang, and Mr. Yang Mingbin raised their glasses together is a metaphor for the brand's new journey: to honor unfinished ideals and to honor never-ending creations.

水泥與塗料的材質二重奏

當費羅娜的水泥瓷磚遇見TASSANI的藝術塗料，兩種材質在晚宴現場碰撞出驚人默契。在「未完成的藝術」主題展牆前，混凝土原塊壘砌成粗獷基座，開裂的肌理如地質斷層般延伸；這座由混凝土、原木與時間痕跡構築的微型建築，正上演著費羅娜水泥瓷磚與TASSANI藝術塗料的材質詩篇。這種材質對話更加印證了“水泥瓷磚不是終點，而是激發空間情感的媒介。”我們與塗料、家具、光影的每一次碰撞，都在重寫‘完成’的定義。

When Ferona's cement tiles met TASSANI's artistic paint, the two materials collided and created an amazing synergy at the dinner party. In front of the "Unfinished Art" themed exhibition wall, concrete blocks are laid into a rough base, and the cracked texture extends like a geological fault; This miniature building, constructed from concrete, wood, and traces of time, is performing a material poem of Ferona cement tiles and TASSANI art paint. This material dialogue further confirms that 'cement tiles are not the end point, but a medium that inspires spatial emotions.' Every collision we have with paint, furniture, and light and shadow is rewriting the definition of 'completion'.